Attending the performance was an interesting experience. When I imagine the set, I think of the space we worked in, both the backstage supports and the visual concerns in the front. Entering the house with the rest of the audience and seeing only the front of the set, lit beautifully and not scattered with tools, was very cool. I did not attend technical or dress rehearsals-- once the set was done, we started working on the kid's show (Little Mermaid) and the first experimental show of the season (Macbeth). Being an audience member with the rest of the Hangar staff was fun as well. It was very rewarding to see our hard work in action!
LMAT set in progress. Scenic designer: Ken Goldstein |
Stage left of the complete set (photo by Meg Hurley) |
Macbeth will be in the local high school black box theater, a nice space. We built a tabletop and rigged it to hang upside down over the stage-- complete with plates, glasses, silverware, chairs, and a chandelier. It took a long time and a lot of planning to set this table!
Hanging it was fun. We also cleaned and reorganized the high school scene shop, which would have been a drag except it's a very nice space, very well-equipped. Now, we are ahead of schedule, and have today and possibly tomorrow off before our Titanic steel comes in on Monday to start welding!
More updates soon!
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